Hi all,
The new TV series DEUS, for which I have composed the music, starts airing by Israeli satellite broadcaster YES beginning next Sunday, November 23rd.
This prestigious and sophisticated series, YES's flagship series aimed at teenagers, is divided into 52 20-minutes episodes, and will be shown twice daily.
The series stars some of Israel's most popular young stars: Michael Lewis, Adi Himelbloy and Michael Moshonov.
I will try to upload the series opening, accompanied by my Main Theme for the series, after the series starts...
You can read more (in Hebrew) and watch some clips here.
Best wishes,
Ady
Well, what a harrowing week it's been. Having the time to sit down and actually get it all togther and create something has got to be a gift at the best of times. A month just to write, a collection of internet collaboraters to help speed the process along, and long days dfirting off into the creative ether. Nothing could be better right ?
Now, nothing at all is suppossed to go to plan, and with no agenda, the pressure should be off, to just go with the flow and let the mind have a mental splurge. That is, until internet collaborater No1 comes up with some lyrics, a great tune, and a great voice to sing the tune, to a musical piece first visited a couple of months previous.
So, it's into the dark recesses of the computer, to pull up the track, and see how it sounds with a new melody line. Sounds great, and everything is flowing along well. So, it's a quick mixdown, and onto the internet for peer review.
First comment : "There is something very wrong sonically like the music is playing from a separate source than the vocals. I have never heard you have this sound before, is something off on the set up?
Second comment : " ...but the vox sound like they are recorded in a room quite different than where the music is taking place "
Third comment : ".....had the same sense of something off, so I'll look forward to the next one? "
And so they went on . OK, check and recheck, and yep, there is a phasing issue, and yep, those vocals are sounding really different to the backing track, so what's the problem ? The problem was, that the backing tracks were recorded months ago, built up one by one, with various effects being added to the tracks. Sometimes 2 or 3 units per track, as it was a bit thin at the time and needed some "oomph" After adding a total of thirty five tracks, each with it's own clutter of little gizmos to make it sound "better" the whole thing ends up a sonic cosmic slop, spinning around in the phones like a demented cat in a clothes drier.
Only solution. Back to basics. Back to square one. Back to kindy school and back to the simplicity of the sandpit. Like a child scribbling with crayons, the plugins are unceremoniously detatched and thrown out the virtual window hopefully to be shattered on the ground into a million little bits never to return. Replaced with just an EQ, a bit of reverb, a smidgeon of compression, and a big dash of ears, all is well in sonic land.
We live, we learn, and try to remember that "better" does not always mean "burden me down with gadgets" So the next time you consider brewing up a batch of sonic soup, just remember....... unplug the plugins.
cheers, niteshift
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Hi all,
I recently finished the music to the first in a series of commercials, commissioned by Israel's Ministry of Interior via the Government Advertising Agency, for the upcoming Israeli Elections.
You can watch this clip here:
http://www.pitchipoy.com/commercials/2008/index.html
Pitchipoy is the animation studio who produces the series. Scroll a little down to "Elections – Film 1 "Pinkas Haboher"" to watch the clip.
Enjoy!
Ady
read more...Although This side is now soooo painfully slow that it is no longer a real funny thing to upload something - here is a new song. Welcome to any visitor who wants to leave a comment about the music. This title features Sara England on vocals - she as well as myself have discovered what it means when you a re trying to build a "house of love" with the wrong person. That's what this song is about.
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As all of you know, I am a devoted mom as well as a composer and musician. And as all of you know, I am a very vocal advocate for Autism Rights.
I enjoyed participating in Mindmovie's CCC project so much a few months ago that I was thinking it would be interesting to create a similar recording with snippets of my son's insights regarding Autism from an interview done with him in July 2007 and the update interview that was done with him last month.
What I am thinking of doing is using his comments along the lines of a hip hop / vocal dance mix composition. The purpose of the song would be to bring a better, more positive understanding of how children with Autism perceive the world in which they live ... our world, not their world.
I can only offer credits in lieu of money unfortunately. All of you are such incredible artists and all of you have been such good online friends to me in good times and in the most troubling times these past few months.
If you are interested in participating in this project (which would be promoted globally with links back to your websites or to your mi7 profile page just as our MIC Audio Podcasts on Autism are global), please email me at ravenmagic2003@yahoo.ca.
Thanks.
Raven :-)
read more...Dear friends,
I’m pleased to announce that my song “SONG FOR BAVAT”, written, composed, arranged and performed by me on guitars and keyboards (and singing!) together with members of the Israel Philharmonic Orchestra, won the Special Distinction Prize at the Third international contest “OTHER SONGS” on the theme of Intercultural Dialogue.
Click here to go to the contest’s website (you can listen to the song there)
The same page in French
At the end of the song you can also hear Bavat – singing and laughing... After all, this song was written for her.
I also won the second edition of this contest last year, with my song “Sandra’s Letter”. Here are the links:
English
Thanks for your time...
Ady
Check out www.liveullmann.com
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