Well, what a harrowing week it's been. Having the time to sit down and actually get it all togther and create something has got to be a gift at the best of times. A month just to write, a collection of internet collaboraters to help speed the process along, and long days dfirting off into the creative ether. Nothing could be better right ?
Now, nothing at all is suppossed to go to plan, and with no agenda, the pressure should be off, to just go with the flow and let the mind have a mental splurge. That is, until internet collaborater No1 comes up with some lyrics, a great tune, and a great voice to sing the tune, to a musical piece first visited a couple of months previous.
So, it's into the dark recesses of the computer, to pull up the track, and see how it sounds with a new melody line. Sounds great, and everything is flowing along well. So, it's a quick mixdown, and onto the internet for peer review.
First comment : "There is something very wrong sonically like the music is playing from a separate source than the vocals. I have never heard you have this sound before, is something off on the set up?
Second comment : " ...but the vox sound like they are recorded in a room quite different than where the music is taking place "
Third comment : ".....had the same sense of something off, so I'll look forward to the next one? "
And so they went on . OK, check and recheck, and yep, there is a phasing issue, and yep, those vocals are sounding really different to the backing track, so what's the problem ? The problem was, that the backing tracks were recorded months ago, built up one by one, with various effects being added to the tracks. Sometimes 2 or 3 units per track, as it was a bit thin at the time and needed some "oomph" After adding a total of thirty five tracks, each with it's own clutter of little gizmos to make it sound "better" the whole thing ends up a sonic cosmic slop, spinning around in the phones like a demented cat in a clothes drier.
Only solution. Back to basics. Back to square one. Back to kindy school and back to the simplicity of the sandpit. Like a child scribbling with crayons, the plugins are unceremoniously detatched and thrown out the virtual window hopefully to be shattered on the ground into a million little bits never to return. Replaced with just an EQ, a bit of reverb, a smidgeon of compression, and a big dash of ears, all is well in sonic land.
We live, we learn, and try to remember that "better" does not always mean "burden me down with gadgets" So the next time you consider brewing up a batch of sonic soup, just remember....... unplug the plugins.
cheers, niteshift
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It's much too quiet here these days, so I've uploaded a new track and hope you will follow.
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The very talented artist Paulin Skoglund Voss with band are giving a concert in connection with the release of her album Dragonflies & Hummingbirds"
Time and place: September, 12 2008 at Herr Nilsen, Oslo
Please check her out on Myspace:
<u>http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=86653691</u>
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We just started selling our music on AmieStreet.com, and to kick things off they are giving our fans $5.00 to download our music as well as all music in the entire AmieStreet.com store.
All you have to do is click on the link below to get $5.00 to download our music or songs from tens of thousands of other great independent artists. Just click here:
http://amiestreet.com/_l/tunecore
Thank you,
g.
Although This side is now soooo painfully slow that it is no longer a real funny thing to upload something - here is a new song. Welcome to any visitor who wants to leave a comment about the music. This title features Sara England on vocals - she as well as myself have discovered what it means when you a re trying to build a "house of love" with the wrong person. That's what this song is about.
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Ever wonder what you might have looked like if you time-warped back in time? Check out http://www.yearbookyourself.com/

New track "Sacrifice" is uploaded
All comments are welcome!
Thank You!
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Today at 12.00 hrs my (our) son was born. We named him Benjamin. The Clair the Lune remix was specially written for this child (as a modern lullaby).
All is well and we are all very happy.
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Hi there!
As you know, I enjoy composing for my “Quest of the Heroes”-project immensely, but lately I’ve tried to compose pieces not connected to a specific story. Its absolutely great to compose more “freely” and let the music lead the way in different directions. Due to my lack of patience, I improvise a lot to get the pieces finished. I rush through my compositions leaving them with apparent flaws... But, I’m still fond of them and I will probably revisit and rework them some day!
And now, I've uploaded a new song again, made with no restrictions of a story but with inspiration from… …trains.
So this time, its a piece about trains. Trains? Why? Well... Why not!
As a kid I was fascinated by trains (along with Star Wars and dinosaurs, of course). I played with them, and I read about them. Now, thirty or so years later, I finally have the possibility to make music. So why not make a piece for trains? So this is my homeage to all the trains in the world!
I've got tons of ideas and I'm thinking about, someday in the future, expand the music into a longer and more worked-through piece, a kind of "Train Symphony". So this is a kind of a little test, like a demo for more music to see if the music holds up. Most parts are improvised but I'm really fond of the piece, especially the "happy moment" beginning at about 2:47 and when the main hammering motif returns at about 4:06. I think my arrangements improves as I keep on composing, learning more and more about my humble equipment (no, I don't even use midi yet), trying to get the most out of it. I've learned more how to cut pieces together in Cubase, to edit, fade in, fade out, cut, paste... And by putting small pieces together into a longer piece my computer holds up a lot better and I can use more sounds and instruments in my music.
I had such fun doing this piece anyway, the music coming straight from my heart. At first I thought about using military march drums, clashing cymbals and metallic sounds but I didn't find any good of these sounds in my keyboard, so I used hammering piano and a lot of pounding drums instead to drive the piece forward. And I'm quite happy how that turned out, the main "hammering" motif is distinctly "trainy" and instantly recognized. Like trains could go on forever, I could do variations on this "train music" forever. The piece uploaded is finished with a little coda, just for fun.
By the way, the "Nightmare Suite" is thrown out in favor of the trains, but can still be heard at www.myspace.con/quest oftheheroes
Regards
/Simon
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